pronounces: they say there's good grief (Default)
nazuna "(ง •̀_•́)ง" nito ([personal profile] pronounces) wrote in [community profile] potosi2017-10-29 10:49 pm
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this is real hell

me: do you ever think about how these two characters who have the worst fucked up relationship might be better if taken out of their circumstances

me, several aus and many tears later: i made a mistake


aka AU shunazu dropbox i'll make this pretty later
handcraftings: (pic#11828965)

[personal profile] handcraftings 2017-12-16 01:25 pm (UTC)(link)
[ posture, shu's own instructor used to tell him, that many years ago, is half the battle. if you have good posture, you look more confident, and people will think you know what you’re doing.

it's why, if he closes one eye, ignores the way nazuna's legs are probably shaking from sheer exertion, ho his extensions are not quite perfect, focuses on the way he holds himself instead--

nazuna looks up at shu like he's the sky and shu looks down at nazuna like he's the earth, and there's a million things going through shu's mind now, combinations and spins in fouetté en tournant, waltz steps and promenades and lifts, glissade across wooden floors in leather shoes and moving into a pas de deux and it's inspiration, creativity all in one, even as shu guides nazuna back down onto his own feet, breaking the lines and the picture and returning to normal as the music fades in the background from a lively allegro to a more manageable moderato bridge. ]


Better.

[ there's a rare, small smile on his features, affection and pride, and his fingers curl around nazuna's, linger on for slightly longer than absolutely necessary before he lets go.

it simmers and burns, under his skin, and if ballet is shu itsuki's first love, nazuna nito is shu's second, greater love.

(if only he actually says it, but that's another matter altogether.) ]
handcraftings: (pic#11742518)

[personal profile] handcraftings 2017-12-23 05:27 pm (UTC)(link)
[ he isn't blind to it. but it's been so long, and shu likes to pride himself on his composure, elegance and power even under the harshest of stage lights, but--

nazuna throws him off-kilter, sometimes.

for one, when nazuna finally lands back on his feet, there's that belated realisation that nazuna is... probably going to ache later, and that makes his smile falter a little bit, actually, since he'd completely eschewed warming up earlier in the heat of the moment - but it's something that they can deal with later. ]


You did fine. Merely a lack of practice, that's all.

[ it would sound a little bit more severe if not for the almost matching pink colour on his own cheeks, just a shade lighter than his own bleached hair, and--

perhaps it's a little uncharacteristic, but also a little stiff and slightly unintentionally awkward - it's like that moment, when one finishes a dance, before the audience applauds, that one moment where your heart sits in your throat from a combination of triumph, exhaustion, fear and anticipation. it feels like nothing, and an eternity at the same time.

at least until his gaze catches nazuna's and shu doesn't avert it, doesn't break eye contact, and nazuna's sheepish smile, warm and full of light--

(it's like the applause, the validation that comes from sold out concert venues and rave reviews.)

it's probably skirting the edge of professional and not, and maybe it's an impulsive decision, but maybe it also isn't, but shu lets his hand drop when he lets go, slides an arm around nazuna's waist, a fleeting touch along the small of his back before it lingers.

is this okay, he seems to be asking. ]


Just watching?

[ is what he asks instead. ]